Pop power track from a band who had great hair! Because sometimes you want to listen to an old-school song with synth and drum machine rhythms.
I am admittedly not a watcher of the NFL. I understand the basics of football, thanks to high school gym class, but prefer the Canadian Football League’s game to that of the US. I easily concede that between the two leagues, the NFL has the better half-time show at their championship event, the Super Bowl.
I don’t usually watch the Super Bowl. I often miss it. And I’ve yet to watch this year’s Super Bowl Half-Time show that was done by Justin Timberlake. Because really, is there anything better than Left Shark when Katy Perry did the Super Bowl Half-Time show?
All the promotion of Justin Timberlake’s Super Bowl made me miss the group that helped him launch his current career. *NSYNC was the group that was my favourite, particularly in its early years when the media reported a rivalry between *NSYNC and Backstreet Boys due supposedly to jealously by Backstreet that their then-manager sought to create another boy band when they were already around. Then the music and high energy of *NSYNC just was better. And my love of this group’s music introduced me, via music discussion boards, to friends I’ve never met in person but consider friends to this day. I still remember all the choreography to “I Want You Back” because the music video to the song was released pre-YouTube, so one had to request the video be played on video music stations in order to see and hear the song… and a lot of people did. It’s a song I think I will always know the lyrics to as well, given how many performances I’ve seen of this song, both via the myriad of media performances that I viewed and the one-time I saw *NSYNC perform live. LOL. Team *NSYNC forever!
Weird as it may seem, I’m a fan of music I can not only listen to but also physically own. There are variations to how I choose to own music, with my favourite of favourites often being artists I have music on multiple media. Wide Mouth Mason is one such artist. I love their entire catalogue as a longtime fan of their work, but this song, this song just seems to bring me the sun sonically on a rather dreary cold winter day. The music video’s vibe of laid back grooves match the repeating guitar chords that ties this song to my musical heart.
Though the background to this Cole Porter composition is a sad one, the beautiful emotions of the song are brought forth with such grace and style by the way Ella Fitzgerald chooses to sing the words. Her version of the song is more than just singing, to me. Her interpretation helps many to visualize the title character’s tragedy in a haunting recounting of her last moments. The beauty in the sadness of a song is this piece, by this singer.
Today’s Throwback Track comes courtesy of the song “Connected” by Stereo MCs. The rhythmic vocals that start the song off before the heavy beats come out remind me of days spent with headphones or my ghetto blaster (with CD and a dual cassette deck that had auto-reverse features!), the music my background as I lived within my youth of writing notes on three-holed punch paper to give to friends at school next day, when mix tapes often became they way you defined yourself in one way… not just by the songs you chose, but the order you chose to place them on each side of a blank cassette tape. When new music often came to you visually via music videos rather than sponsored ads in the middle of a social media experience. It’s odd that in many ways, while technology has changed to make the task of people connecting to others easier and faster, it’s also dehumanized the value of the connection in more ways than not.
My first #ThrowbackTrackThursday song was inspired by Justin Timberlake’s single “Filthy”. In that same week, Bruno Mars released a remix of his song “Finesse” that included a Cardi B feature. Hearing that remix for the first time took my ears back to the beats of the New Jack era and one of my favourite groups from that era (particularly ones that used similar drum tracks to the ones echoing in the “Finesse” remix), Boyz II Men. Boyz II Men, back in the day, was a four piece that demonstrated vocal prowess over Bell Biv Devoe’s Michael Bivins’ inspired beats. “Motownphilly”, in particular, was the first song that introduced me to Boyz II Men and the beauty of a capella harmonies mixed with danceable drum lines. My appreciation for their music inspired my first and only fan driven writings to MuchMusic for Master T’s RSVP show to play more of the “Motownphilly” music video at a time I knew I’d probably be able to watch it on television. Back in the day when MuchMusic actually played music videos, interviewed musicians, and featured live music performances. Back in the day when music came in a variety of tangible formats, compact discs still just making their forays into the market and the cassette tape was still a popular medium for many musicians to share their songs. The fact that the music video for “Motownphilly” showed a group of guys who could sing, harmonise, and create upbeat, uptempo music was an irresistible combination.
To get more of my musical memories and musings in a place I can look back to, I’m trying to write more on that site. To help with the inspirations behind the moments, I am challenging myself to at least post on specific days, leaving random musically-related musings to be posted at whim. So starting this year, I have opted to co-opt the ubiquitous Throwback Thursday hashtag trend into a Throwback Track Thursday on this site.
Today’s #ThrowbackTrackThursday is one I dedicate to the phenomenon that is Prince. Admittedly, his name comes to mind today in particular while I listened to Justin Timberlake’s new track “Filthy”… and the beats and bass suggested the influence of his Purpleness to me for reasons perhaps only my aural memories can explain. Of the many tracks Prince influenced, inspired, and wrote… “Raspberry Beret” is the one I choose for today. Because not only was the original track a fond memory of my younger self, but it has also generated great covers by artists I dig in their own rights as well. See: Hindu Love Gods. Matt Nathanson. Chris Martin.