Luke Doucet and his White Falcon are a good combination on their own. Adding Melissa McLelland to create the music by Whitehorse. That is an even better combination! I am a fan of each of the component parts of Whitehorse, but their combined musical powers are definitely a force to be reckoned with. While recently, the duo toured with a full band backing them, it is their live performance as a duo that is compelling to experience. I love this song’s call and answer and how the different parts are conveyed through different means of amplification beyond the solo studio microphone.
Though the background to this Cole Porter composition is a sad one, the beautiful emotions of the song are brought forth with such grace and style by the way Ella Fitzgerald chooses to sing the words. Her version of the song is more than just singing, to me. Her interpretation helps many to visualize the title character’s tragedy in a haunting recounting of her last moments. The beauty in the sadness of a song is this piece, by this singer.
Today’s Throwback Track comes courtesy of the song “Connected” by Stereo MCs. The rhythmic vocals that start the song off before the heavy beats come out remind me of days spent with headphones or my ghetto blaster (with CD and a dual cassette deck that had auto-reverse features!), the music my background as I lived within my youth of writing notes on three-holed punch paper to give to friends at school next day, when mix tapes often became they way you defined yourself in one way… not just by the songs you chose, but the order you chose to place them on each side of a blank cassette tape. When new music often came to you visually via music videos rather than sponsored ads in the middle of a social media experience. It’s odd that in many ways, while technology has changed to make the task of people connecting to others easier and faster, it’s also dehumanized the value of the connection in more ways than not.
I can feel love the I want, I can feel the love I need
But it’s never gonna come the way I am
Could I change it if I wanted, can I rise above the flood?
Will it wash out in the water, or is it always in the blood?
– “In The Blood” – John Mayer
Today’s Tuesday track was a random track my iPod played as I was driving home from a meeting with clients. Not only did the chorus of the song speak to me personally, but the lyrics of the song itself also spoke to the work I do each day working with those who may not have always had the best environment to grow up in. I’ve had some good, perhaps even great moments, in the early part of the work week so far that have reminded me why I love the work I do. And less work moments with fractious people that make me wonder if what I do will ever be enough. This song could definitely be a soundtrack for not just my work life but the lives I encounter (and hopefully change a bit for the better) in my work.
My first #ThrowbackTrackThursday song was inspired by Justin Timberlake’s single “Filthy”. In that same week, Bruno Mars released a remix of his song “Finesse” that included a Cardi B feature. Hearing that remix for the first time took my ears back to the beats of the New Jack era and one of my favourite groups from that era (particularly ones that used similar drum tracks to the ones echoing in the “Finesse” remix), Boyz II Men. Boyz II Men, back in the day, was a four piece that demonstrated vocal prowess over Bell Biv Devoe’s Michael Bivins’ inspired beats. “Motownphilly”, in particular, was the first song that introduced me to Boyz II Men and the beauty of a capella harmonies mixed with danceable drum lines. My appreciation for their music inspired my first and only fan driven writings to MuchMusic for Master T’s RSVP show to play more of the “Motownphilly” music video at a time I knew I’d probably be able to watch it on television. Back in the day when MuchMusic actually played music videos, interviewed musicians, and featured live music performances. Back in the day when music came in a variety of tangible formats, compact discs still just making their forays into the market and the cassette tape was still a popular medium for many musicians to share their songs. The fact that the music video for “Motownphilly” showed a group of guys who could sing, harmonise, and create upbeat, uptempo music was an irresistible combination.
There’s a rasp and growl to Anderson East’s voice in this song that suggests Ray Lamontagne in style mixed with the groove and grit of soulful keys and horns. The theme of the song is one evoked before and one that will be echoed in the future, but the level of swag that East gives in this song is delicious ear candy. One line over the driving beats, and I find myself trying to stop from visibly bobbing my head to the rhythm as I move through my day with the song in my ears. A catchy collection of chords indeed.
To get more of my musical memories and musings in a place I can look back to, I’m trying to write more on that site. To help with the inspirations behind the moments, I am challenging myself to at least post on specific days, leaving random musically-related musings to be posted at whim. So starting this year, I have opted to co-opt the ubiquitous Throwback Thursday hashtag trend into a Throwback Track Thursday on this site.
Today’s #ThrowbackTrackThursday is one I dedicate to the phenomenon that is Prince. Admittedly, his name comes to mind today in particular while I listened to Justin Timberlake’s new track “Filthy”… and the beats and bass suggested the influence of his Purpleness to me for reasons perhaps only my aural memories can explain. Of the many tracks Prince influenced, inspired, and wrote… “Raspberry Beret” is the one I choose for today. Because not only was the original track a fond memory of my younger self, but it has also generated great covers by artists I dig in their own rights as well. See: Hindu Love Gods. Matt Nathanson. Chris Martin.